We [ with Emilio Estevez] asked if we could take some things [ in Breakfast Club] that weren't in the shooting draft, but from earlier drafts, "Can we maybe use this?" And Hughes was very amenable to all that. And there was some stuff that I liked, and I said, "How about this?" And he went, "Well, we'll check with Molly [Ringwald]. Those scenes are with her. And if she likes it, fine." So it was just wonderful. It was great.

You have to kind of roll with the punches. That's why I think work begets work to a certain degree. I just try and keep busy.

I like the way the old Toyotas look.

Fandango is not really a Western. It's really just set in Texas. It's a road picture. And then I did one that hasn't come out yet called Kreep, which is set in Texas, but it's not really a Western. But it has a more rural-Texas feel to it.

Trace Adkins doesn't talk too much, but when he does he's got great stories. He's lived a great life.

It is a career of make-believe, of masks. We all have masks in life.

[John Hurt] just really gifted, and I had a great time working with him and [am] very lucky to have worked with him.