I like the way the old Toyotas look.

Trace Adkins is such a great guy. Really is. And he's got that incredible voice - low, deep. He throws words around like "my dental coverage."

John Hurt was incredible to work with.

I worked with the late Leonard Frey. I did a play, and I would have these ideas and he would say, "I don't know. Try it." And I would try it and it would be awful, and he would go, "What do you think?" And I would go, "It was awful." And he goes, "Okay, we'll try something else." And that's great because it really makes you feel less working-for and more working-with. There's nothing better than to feel a part of the team.

I like every single actor or actress in the world, because we never know what the conditions are like when they are working. I give everyone the benefit of the doubt and root for them like a psychotic sports fan

Fandango is not really a Western. It's really just set in Texas. It's a road picture. And then I did one that hasn't come out yet called Kreep, which is set in Texas, but it's not really a Western. But it has a more rural-Texas feel to it.

Young alienation, disappointment and heartache is all a part of the first real growing up that we do.