I feel more and more at ease, because I think the older I get, the less pressure there is. People say, 'Well, he's not cutting edge because he's not in his twenties, so he's not expected to be.'

A job is not just a job. It’s who you are.

I hadn't read or heard a lot about [Tom] Wolfe until I read this script, and in that way I think it was really clever to write a piece about him instead of Max Perkins,[Ernest] Hemingway, [John] Fitzgerald, or others that people have strong opinions of already.

There's no regret. You can't regret. I mean, I've felt regret but I've also refused to allow regret to sow a seed and live in me because I don't believe it. You feel it, it's like guilt, it's like jealousy, it's like all those horrible things. You've just got to snip them and get them out, because they're no good.

There is something nice about wearing the same thing everyday, having that go-to.

In a weird way, it’s kind of a relief to think, ‘Oh, I know I’m not that young sort of pretty thing anymore.’ It’s quite nice talking about what it was like to be the young pretty thing, rather than being it.

When someone like Steven Soderbergh asks you to do a film you know you're in good hands. You know it's going to be slick, and it's going to be intelligent, and it's going to have a kind of style to it, and I would probably have done anything to be really honest.