When you got source material, whether it's a play or a book - a great writer often appreciates being adapted and developed. It's like when you go see a production of a great play and they are always different. There is always room for interpretation.

Rafferty [Law] plays three or four instruments. He is very gifted. Whereas I pick instruments up and kind of stare at them and go, "I can't ever possibly play this." And I don't!

I was an optimist, a great champion of the human spirit. And I lost that for a time. I feel like I've regained a bit of that in the last few years but there was a period of my life in which I had a very low opinion of people in general.

Every so often you get to play wonderful characters maybe at the wrong time in your life. Sometimes, you get to play terrible characters at a really great time in your life. Sometimes, the right character comes along at the right time.

I hadn't read or heard a lot about [Tom] Wolfe until I read this script, and in that way I think it was really clever to write a piece about him instead of Max Perkins,[Ernest] Hemingway, [John] Fitzgerald, or others that people have strong opinions of already.

I don't want to do anything that I'm not passionate about.

I never thought I had to forge a family, but it felt the most natural thing that ever happened to me - meeting someone and becoming a father.