Rafferty [Law] plays three or four instruments. He is very gifted. Whereas I pick instruments up and kind of stare at them and go, "I can't ever possibly play this." And I don't!

When you got source material, whether it's a play or a book - a great writer often appreciates being adapted and developed. It's like when you go see a production of a great play and they are always different. There is always room for interpretation.

In a weird way, it’s kind of a relief to think, ‘Oh, I know I’m not that young sort of pretty thing anymore.’ It’s quite nice talking about what it was like to be the young pretty thing, rather than being it.

Success, and even life itself, wouldn't be worth anything if I didn't have my wife and children by my side. They mean everything to me.

I'm not called Jude Law, I have three names; I'm called 'Hunk Jude Law' or 'Heartthrob Jude Law'. In England anyway, that's my full name. That's the cheap language that's thrown around, that sums you up in one little bracket. It doesn't look at your life. But if one looks beyond, there is actually a little bit more.

I'm keen to do as little or as much reading and watching as the director may advise, and often off that you kind of stem into other things that you find of influence, perhaps the things that you're watching. It's a good excuse to get to know a new profession, or a new approach, or a new era. It's about authenticity. It's about having the confidence to really feel that you're saturated and know the world you're about to step into and understand the person you're about to be.

You heard it from the heart, you saw it in their eyes. Then I got used to the fact that I couldn't feel my fingers and my feet. That for me was the essence of the battle.