It's interesting to see how people bring different things to them. I think it comes down to the universal appeal of the Holmes-Watson that they can keep being discovered in different ways.

I don't want to do anything that I'm not passionate about.

I feel more and more at ease, because I think the older I get, the less pressure there is. People say, 'Well, he's not cutting edge because he's not in his twenties, so he's not expected to be.'

When you got source material, whether it's a play or a book - a great writer often appreciates being adapted and developed. It's like when you go see a production of a great play and they are always different. There is always room for interpretation.

I hadn't read or heard a lot about [Tom] Wolfe until I read this script, and in that way I think it was really clever to write a piece about him instead of Max Perkins,[Ernest] Hemingway, [John] Fitzgerald, or others that people have strong opinions of already.

I think everyone goes through chapters in their life and there was a time when I wasn't feeling terribly positive about what I was contributing to film, or wasn't feeling as if I was going in the direction I wanted and I re-evaluated what I was doing.

Making an effort is polite, and getting ready and looking after yourself makes an event more fun.