The critical image... must not only fail to capture its referent, but show its failure.

I do not follow closely anymore, since there is a limit to how much heartsickness one can bear.

You could protect a religious minority against gays and lesbians. Or you could protect gays and lesbians against a religious minority. And then, it seems to me something political is happening. Because we're not really looking at the kind of speech that is injurious.

We're not in control [of circumstances], but that does not mean we don't exercise a certain kind of conditioned agency. That's what it means to live in a community. That's what it means to live in society.

I think maybe the destructive pleasure got turned into the destructive pleasure of war (something we see still in the images of US soldiers urinating on the dead bodies of Taliban soldiers). Something of the pleasure in destruction gets unleashed, and then becomes part of war effort rationalised first as revenge (or justice defined as revenge). But then it takes new forms, as we see now.

As we interpret ourselves differently, we also live ourselves differently.

Surely binationalism is not love, but there is, we might say, a necessary and impossible attachment that makes a mockery of identity, an ambivalence that emerges from the decentering of the nationalist ethos and that forms the basis of a permanent ethical demand.