We act as if that being of a man or that being of a woman is actually an internal reality or something that is simply true about us, a fact about us, but actually its a phenomenon that is being produced all the time and reproduced all the time, so to say gender is performative is to say that nobody really is a gender from the start.

To say that gender is performative is a little different because for something to be performative means that it produces a series of effects. We act and walk and speak and talk in ways that consolidate an impression of being a man or being a woman.

Although the history of dispossession and exile for Jews is very different from the history of dispossession and exile for Palestinians, they both have recent and searing experiences which might allow them to come to a common understanding on the rights of refugees, or what it might mean to live together with resonant histories of that kind.

Look, "Gender trouble" includes a critique of the idea that there are two ideal bodily forms, two ideal morphologies: the masculine and the feminine. I want to suggest that today the intersex movement is very engaged with criticizing that idea.

I do think we need to allow for there to be room for subversive and ironic speech. We need to be able to put out plays in which we make fun of ourselves or in which we interrogate the words that injure us. And maybe give them another meaning.

We're trying to divide groups or decide that some of them are truly victims and some of them are truly aggressors.

Sometimes there are ways to minimize the importance of gender in life, or to confuse gender categories so that they no longer have descriptive power. But other times gender can be very important to us, and some people really love the gender that they have claimed for themselves.