There is no original or primary gender a drag imitates, but gender is a kind of imitation for which there is no original.

Photographs can be forms of recruitment, ways of bringing the viewer into the military, as it were. In this way, they prepare us for war, even enlist us in war, at the level of the senses, establishing a sensate regime of war.

I think there is no one answer. It is still a struggle, there are tensions and I'm sure there are many people who would like to see these questions laid to rest or cease to be posed altogether.

When some people rejoin with “All Lives Matter” they misunderstand the problem, but not because their message is untrue. It is true that all lives matter, but it is equally true that not all lives are understood to matter which is precisely why it is most important to name the lives that have not mattered, and are struggling to matter in the way they deserve.

My sense is that we may not need the language of innateness or genetics to understand that we are all ethically bound to recognize another person's declared or enacted sense of sex and/or gender. We do not have to agree upon the "origins" of that sense of self to agree that it is ethically obligatory to support and recognize sexed and gendered modes of being that are crucial to a person's well-being.

I certainly don't mean to suggest that all investigative journalism prior to 9/11 in the US was praiseworthy. But there were more examples to which one could point, and there were at last some activist photographers who understood that getting information into the public sphere in spite of military censorship was a right and obligation within democracy. That strain in war journalism did nearly vanish during that time.

I am much more open about categories of gender, and my feminism has been about women's safety from violence, increased literacy, decreased poverty and more equality.