Every dancer lives on the threshold of chucking it.

Dancing is being trusted with other people's guts; choreographing is trusting other people with yours. When I choreograph I'm giving a dancer something to do and trusting the dancer to do it and build on it.

Dance is not endangered - it will always find a way to express itself.

I can't really hear the audience applause when I'm on stage. I'm totally immersed in the piece. But sometimes I get a lot of it and wonder, "Now, why did they applaud here?" If it's a white crowd, they usually applaud because they think it's a pretty movement. If it's a black crowd, it's usually because they identify with the message.

I've danced all over the world, and people are people. We cannot cut off from each other in life. In order to lead, you can't do that.

I believe that this world was set about for us to enjoy and to love and to experience and to have it all be, to a certain extent, unpredictable. Ever since I was a child I have believed that my life has been guided.

Dance is about never-ending aspiration.