When I was twelve. And I was going through my parents' bookshelves, I found the most wonderful books and plenty of. Within those wonderful books that were real turn-on's. At 12 or 13, books were such turn-ons.

"Summer Sisters" was actually was a huge influence on "Girls" because it was the first thing I ever consumed that sort of looked at the way that female friendship can be glorious and can be complicated and can be so like a worse betrayal than something romantic and it just showed these archetypes of femininity than totally sort of individuated them and exploded them.

With "Margaret," I remember clearly it was, you know because I did remember it clearly. I was young. I was young in terms of experience and what did I know about and I had an incredible memory from my own childhood. And so it never occurred to me to write for any other age group. And I thought I'm going to write a book and I'm going to tell the truth.

Another thing all writers have in common is we're all observers. We pay attention to detail.

Let children read whatever they want and then talk about it with them. If parents and kids can talk together, we won't have as much censorship because we won't have as much fear.

In a New York Post interview, Judy Blume, author of young-adult fiction, gave this advice on getting your kids to read: "Moms come up to me at book signings and describe how they're telling their daughters, 'These were my favorite books,'?" she says. "I say, 'Quit it! That's the biggest turnoff!'"You want to get them to read them, leave them around the house and every so often, say, 'You're not ready to read this yet.'

When I'm writing a book, you can't think about your audience. You're going to be in big trouble if you think about it. You're got to write from deep inside.