Once I knew that I wanted to be an artist, I had made myself into one. I did not understand that wanting doesn't always lead to action. Many of the women had been raised without the sense that they could mold and shape their own lives, and so, wanting to be an artist (but without the ability to realize their wants) was, for some of them, only an idle fantasy, like wanting to go to the moon.

Because men have a history, it is difficult for them to imagine what it is like to grow up without one, or the sense of personal expansion that comes from discovering that we women have a worthy heritage. Along with pride often comes rage – rage that one has been deprived of such a significant knowledge.

I feel like I have at least begun to make a contribution, but my most significant concern has to do with whether my actual art will be preserved for future generations or be erased.

There's no question that many more women artists are showing worldwide now than they were when I was a young woman, and that's really great.

With my early work I got eviscerated by my male professors, and so you learned to disguise your impulses, as many women have done. And thats definitely changed.

Because we are denied knowledge of our history, we are deprived of standing upon each other's shoulders and building upon each other's hard earned accomplishments. Instead we are condemned to repeat what others have done before us and thus we continually reinvent the wheel. The goal of The Dinner Party is to break this cycle.

I believe in art that is connected to real human feeling, that extends itself beyond the limits of the art world to embrace all people who are striving for alternatives in an increasingly dehumanized world. I am trying to make art that relates to the deepest and most mythic concerns of human kind and I believe that, at this moment of history, feminism is humanism.