When I am working a book, I go through my library and take a look through some of the great cartoonists of the past, like Cliff Sterrett, who did "Polly and Her Pals," or Winsor McCay who did "A Little Nemo in Slumberland," and Herriman - and I just looked through these guys and looked for somebody to steal. You know, looked for who I could swipe, or turn into - who's work I will turn into my work. And I still use, after all these years, these artists as inspirations. So, here in my eighties, I go back to when I was eight for my inspiration.
Jules FeifferI grew up to have my father's looks, my father's speech patterns, my father's posture, my father's opinions, and my mother's contempt for my father.
Jules FeifferThere's some brain damage, but it may be that very brain damage that allows me to do the work I do.
Jules FeifferWhen you do the kind of work I do, everything is challenging, but probably the most challenging thing is getting up in the morning and getting on with it because it's so easy to stay in bed and not get on with it.
Jules FeifferWhether these were liberal publications or conservative publications, whether they were mainstream or slightly to the side of the mainstream; out of the mainstream, they all believed that they had the right to tell you how to stylize yourself. And from the New York Times to the much more left-winged nation. And The Voice said, no, whatever you want to. You drew whatever you want to, we'll publish it. Nobody was doing that. Nobody does it today. The Voice is no longer that paper, and editorializing is now in the hands of editors, with few exceptions.
Jules Feiffer