I was never interested in the two-party system per se. I was interested in how authority was abused by government, and how lies were told, and rewritten, to seem to be true. I came up out of a tradition of radical journalism.

I didn't have a job. Employers were afraid of losing their reputations. I didn't have a reputation. I had zilch. So, I had the freedom, which unemployment gives you, and that was to behave as badly as I believed I should under the circumstances. And the circumstances were quite awful.

When I write a play, my whole intent at bottom is to get the audience to be in the cast, to get that audience on stage with the actors and to get them thoroughly involved in what's going on.

There are many people who get beat up, who suffer, who are victimized, and then they sit down to write and they write crap. How many of these graphic novels over the years are from really talented people? Most of them actually, if you look at them, are self-pitying confessionals about "poor me".

I'm well beyond dyslexic: I have no sense of direction; I never know where I am.

The city keeps reinventing itself. And each generation thinks, as they enter it, that they've missed the best of it, and then they become the authors of the next "best." And so it goes on and on and on. And New York keeps redefining itself and reinventing itself, and then you look at it and it's pretty much the way it was back in the 1920's., or in the 1930's. Something stylistically different in some ways, but it's still got the same vitality.

I've never met a cartoonist who isn't quirky or weird in some ways.