I feel like these sounds are the ultimate kind of free sounds, the ultimate public domain sounds. And I feel like people put them in completely different contexts, and they mean something different to everybody.

I saw Grizzly Man; I know what can happen.

I can really only can record at home.

Sometimes when I'm traveling, I feel a little bit dislocated, especially the transitions you make when you're traveling - you go to a different city every day.

I'm really not working in a environment that's sonically pristine. It's not a conventional studio, obviously; it's a bit ramshackle.

I don't really understand the natural world, I admire it and am a little bit afraid of its power.

I feel like these sounds are the ultimate kind of free sounds, the ultimate public domain sounds. And I feel like people put them in completely different contexts, and they mean something different to everybody.