The point is the 'me' that you see before you is not the 'me' in my private little space, shape-shifting into the writing role, nor is it the 'me' that works with the actors. Here, at the end of the film doing interviews, I feel like I'm in disguise.

I do believe we're all adaptable, and you're probably more adaptable than you realize.

I'm trying to get under people's skin in a way. I don't like films that go in one ear and out the other.

To me the question of inspiration is an exercise in hindsight. The truth is inspiration is mysterious at the time. I don't think it's ever a rational process.

I always find it extremely hard to remember the act of beginning. I almost deliberately forget it.

I've never forgotten what it's like to be in your early twenties, which is not a particularly easy time. You've left your family, you've left the strictures of high school, and you're trying to break free and form yourself but you have to support yourself as well. We don't really give enough credence to that time of life and to its troubles.

I think it's restrictive to typecast myself as a novelist because I enjoy other forms of expression. I love literature and I love cinema.