I think audiences, producers and directors included, develop crushes on actors (actresses in particular) and then lose interest and move on to the next one.

I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, "Well, that's over and done with, and I can't control the outcome, so move on." I just remember that it's entertainment I am making.

I tend to gravitate toward the more powerful roles. As opposed to the doe-eyed girl who bats her eyelashes and runs around in towels, you now what I mean? Because that kind of makes me want to vomit.

The thing with the Bourne movies is that they're so big in scope and the production value is so high and it takes so much organization.

I like a director who is very observant and is watching what I'm doing and noticing what I'm doing, but is giving me time to figure it out. They don't jump right in and give you a note before you've had time to really search on your own with how to do a scene.

In my early career, I look at that time as a series of trial and error and learning as I go.

There are a handful of actors who sustain interest because it's exciting to watch them get better at what they do. I want to be one of those actors.