The thing with the Bourne movies is that they're so big in scope and the production value is so high and it takes so much organization.

Actors can write and produce too. Then when I was working on Jason Bourne­ - having had that experience - instead of going back to my trailer and being separate from everyone else, I would sit behind the monitor and watch Paul Greengrass work and be much more included in the process. That was new for me and really enriching.

I like a director that encourages me to be playful. I don't really like being restricted or controlled by a director.

My regular school didn't know what to do with me!

I met this homeless man who had never owned a shirt in his life. He had taken his pants and worn them as a shirt and I thought it was so creative. He was liberated from the conventions of fashion.

So I am happy to have fans, especially if it enables me to keep working. And I am really grateful when people respond to my work.

I like a director who is very observant and is watching what I'm doing and noticing what I'm doing, but is giving me time to figure it out. They don't jump right in and give you a note before you've had time to really search on your own with how to do a scene.