I worked regularly from very early on, and some of it was probably a bit premature.

I think I was born an artist. But the key is that I have a mom that encouraged and supported my artistic side. She still has the stick-figure drawings framed.

I think it's really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don't think it's annoying at all.

It's actually really great to be a student and an actor, because I get to do this job that I love, then just when I think my head might explode, I get to go to school where they don't really care about what magazine cover I'm on.

As an actor, you're only one little piece of the puzzle; you're fulfilling someone else's vision. If you're involved earlier on, you're kind of creating your own.

I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, "Well, that's over and done with, and I can't control the outcome, so move on." I just remember that it's entertainment I am making.

The thing with the Bourne movies is that they're so big in scope and the production value is so high and it takes so much organization.