I remember laughing with relief that the same old adolescent boredom goes on from generation to generation. ...the words took me back to my own years of stagnancy, and that terrible waiting for life to begin. [p. 68]

Paris is certainly one of the most boastful of cities, and you could argue that it has had a lot to boast about: at various times the European centre of power, of civilisation, of the arts, and (self-advertisingly, at least) of love.

Poets seem to write more easily about love than prose writers. For a start, they own that flexible ‘I’…. Then again, poets seem able to turn bad love – selfish, shitty love – into good love poetry. Prose writers lack this power of admirable, dishonest transformation. We can only turn bad love into prose about bad love. So we are envious (and slightly distrustful) when poets talk to us of love.

People in love, it is well known, suffer extreme conceptual delusions, the most common of these being that other people find your condition as thrilling and eye-watering as you do yourselves.

We live on the flat, on the level, and yet - and so - we aspire. Groundlings, we can sometimes reach as far as the gods. Some soar with art, others with religion; most with love. But when we soar, we can also crash. There are few soft landings. We may find ourselves bouncing across the ground with leg-fracting force, dragged towards some foreign railway line. Every love story is a potential grief story. If not at first, then later. If not for one, then for the other. Sometimes, for both.

Love is just a system for getting someone to call you darling after sex.

The spring of 1930 marks the end of a period of grave concern...American business is steadily coming back to a normal level of prosperity.