As a fortysomething actor, you reach a plateau of maturity from which you can really get stuck in.

If you watch Olivier's interviews, he has this reptilian tongue; it seems too big for his mouth. My pursuit of that became distracting, so I let it go. The thrill was finding the right pair of glasses.

Nobody could disappear to their trailer once it was up and running, you were all there on the same stage. It was 10 days of rehearsal and 10 days of shooting, which was very tiring.

The thing about Mumbai is you go five yards and all of human existence is revealed. It's an incredible cavalcade of life, and I love that.

Acting has been gentrified. It's become part of the bourgeoisie. But there was a time when it would be a great scandal if you announced you were going to be an actor.

I think there is an immense charm and humanity about the Bollywood structure, probably in the way there was about Hollywood film in the '30s and '40s. Somehow they were less distracted about hardware, and more about production values and people, you know?

Actors have a magic gene within them - I think they're the finest descendants of rogues and vagabonds - and it's all too easily forgotten what the acting legacy is.