Nobody is perfect. I don't think it's the most scathing indictment of anybody. It's pretty innocuous. [Miral] is just the story of one family and one girl, living in that part of the world, and that's what goes on over there. I thought that maybe it would be informative and useful for people to know more about it.

A lot of what I do is about being in the moment and I think that's hard for people to get. I like it when things suddenly affect the painting. I mix up this red and it affects the whole painting or this little bit of white falls down there, and something changes the whole nature of the thing. The residue on what happens, that's what's in the paintings.

Nobody is perfect. I don't think it's the most scathing indictment of anybody. It's pretty innocuous. [Miral] is just the story of one family and one girl, living in that part of the world, and that's what goes on over there. I thought that maybe it would be informative and useful for people to know more about it.

It's a great excuse and luxury, having a job and blaming it for your inability to do your own art. When you don't have to work, you are left with the horror of facing your own lack of imagination and your own emptiness. A devastating possibility when finally time is your own.

Some people might think that the paintings are involved with a mythic - not just subject matter - but a certain sort of physical space that the paintings occupy...like personages.

I don't think my paintings are self-conscious but you feel the consciousness of them. Without them being self-conscious.

I think people have problems sometimes when things are too general. In fact, they are not really general at all.