I think style is a fringe benefit that looks like you made it.

Nobody is perfect. I don't think it's the most scathing indictment of anybody. It's pretty innocuous. [Miral] is just the story of one family and one girl, living in that part of the world, and that's what goes on over there. I thought that maybe it would be informative and useful for people to know more about it.

I don't know if I could, like, see a face and know what the face of beauty looks like, but after I've seen it I know if I've felt like it was beauty.

I think, basically, I'm an abstract artist. I just think that that's not even an issue. I think everything's abstract.

I don't like building, I'm not a carpenter, I don't like constructions particularly and things like that, but placements and the kinds of psychological weight that different materials have is pretty interesting to me.

Making a painting is like playing the saxophone. You hit the note and it comes out.

You seem to make different concessions with yourself about what you want to focus on or not, and what you want to pay attention to.