You never have sex the way people do in the movies. You don't do it on the floor, you don't do it standing up, you don't always have all your clothes off, you don't happen to have on all the sexy lingerie. You know, if anybody ever ripped my clothes, I'd kill them.

I think all of us struggle with how to keep relationship alive. And yet it can't be static either. It's never going to be how it was when you first met because you're not in that place anymore; you're not necessarily the same people. So, that's the struggle - you're trying to make the relationship move forward with the rest of your life and make it special and meaningful. And I think it's incredibly challenging.

The thing about 50 is that you've clearly reached a point where you have more of your life behind you than ahead of you, and that's a very different place to be in. You're thinking, 'I've done most of it.' I don't like that feeling. But it makes you evaluate your life and go, 'Am I doing what I want to do? Am I spending my time the way I want?' 

One of the things I admire so much about Atom Egoyan is that again and again he makes movies about the human condition, who we are, what we want, how we communicate to one another and this is also an exploration of a long-term relationship and what happens in it. There's human sexuality and all those kinds of things, so that helps - it all helps. You realise that I'm not a Playboy bunny.

Like Ivan [Reitman] has said, there's a lot that a life encompasses.

You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.

I wouldn't be an actor if it weren't for the English teacher I had my junior year in high school. She's the one who told me I could be an actor. I had never met an actor, I had never seen a real play, only high school plays. I didn't know actors were real, that it was a real job.