One of the things that I love about L'Oréal is that it's accessible and aspirational. Beauty doesn't have to be a mystery, and it can be available to everybody. But it's also about accessing what is most innately human, what we think is attractive.

I was the kid who read a lot and who was academic, and who was more of an indoor person than an outdoor person. I would win the summer reading contest at the library.

You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.

I like that sense of family in my workplace, having the same pair of eyes to look into.

It's pretty boring, working by yourself. The scene happens in between the two of you, and then you don't know what it's going to be because it's a kind of combustion. So, you do take something from every actor you work with.

We want a plan for a clean energy future...an end to global warming...Moms know about sustainable energy. After all, mother love is an unending supply and it keeps kids healthy.

Either you like a person or you don't like a person. I don't have to love somebody to work with them. I'm a professional person. But when you get the bonus of really liking someone and really connecting with them and really enjoying them, it's a fantastic thing.