In cinema people are always walking into something and saying this is who I am, what I want, and how I'm going to get it and we don't in life - particularly not in public situations. People might know your first name, not your last name, they don't know what you do, and you're not going to offer it up. So if you start there and you realize this is a much more normal presentation in a film then you would ordinarily have; you know that there is a big life behind what everyone presents and that I think is super interesting.

Sarah Palin's real quality is that she is her own best creation.

People talk about generating my own work, but I don't really know how to go about that. There are certainly some roles in the theater I'd like to play but I don't know if I'll ever get to do it.

One of the things that I love about L'Oréal is that it's accessible and aspirational. Beauty doesn't have to be a mystery, and it can be available to everybody. But it's also about accessing what is most innately human, what we think is attractive.

In grade school I was a complete geek. You know, there's always the kid who's too short, the one who wears glasses, the kid who's not athletic. Well, I was all three.

Nobody does a lot of plotting. They can't. Everybody wants to do that in life, but I think it's almost impossible. Opportunities present themselves, and you say, "Hey, is this interesting to me?" Is this something you might want to pursue? Maybe you'll get it, maybe you won't. It really does have to do with a "one foot in front of the other" kind of thing, I think.

Comedy is ridiculously hard. And if the rhythm is not right, if the music or the line is not right, it's not funny.