In cinema people are always walking into something and saying this is who I am, what I want, and how I'm going to get it and we don't in life - particularly not in public situations. People might know your first name, not your last name, they don't know what you do, and you're not going to offer it up. So if you start there and you realize this is a much more normal presentation in a film then you would ordinarily have; you know that there is a big life behind what everyone presents and that I think is super interesting.

Air pollution is terrible for our children. Every single scientist, every single doctor will tell you the same thing: Air pollution damages our children’s brains, their hearts, and their lungs.

Sarah Palin's real quality is that she is her own best creation.

It was a great circumstance when I received the script of [Chloe] and Atom [Egoyan] said he wanted me to do it. I was inclined to say 'yes' immediately.

You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.

Older, you know, is obviously relative. You're older if there's somebody younger than you in the room, and you're younger if there's someone older in the room.

Everybody has the right to marry the person they love and be represented as a couple and family... It's something that people will look back on in years to come and say, 'I can't believe it took so long for us to recognize this.' It'll be like segregation and giving women the right to vote.