I do Ashtanga yoga three times a week, and I run a couple of times a week, too. I really like yoga; I enjoy the actual doing of it, so it doesn't feel like the agony of the gym felt like to me.

Movie studios aren't making too many dramas anymore; they're in the superhero business. Material for television is much, much stronger for actors now.

I am very excited to work with people who have a strong vision of what they want. They're trying to tell a story, and they want to use me. I'm there to facilitate that. I really like that. I'm like, "Tell me where your frame is. Tell me what you want, what kind of story you want, and I will facilitate it." That's sort of my job, and it makes my work better when I'm working in that kind of a frame, and hopefully it's their work. It's incredibly collaborative, in the sense that you're working toward a common goal.

Nobody does a lot of plotting. They can't. Everybody wants to do that in life, but I think it's almost impossible. Opportunities present themselves, and you say, "Hey, is this interesting to me?" Is this something you might want to pursue? Maybe you'll get it, maybe you won't. It really does have to do with a "one foot in front of the other" kind of thing, I think.

In cinema people are always walking into something and saying this is who I am, what I want, and how I'm going to get it and we don't in life - particularly not in public situations. People might know your first name, not your last name, they don't know what you do, and you're not going to offer it up. So if you start there and you realize this is a much more normal presentation in a film then you would ordinarily have; you know that there is a big life behind what everyone presents and that I think is super interesting.

When the computer and tablets are all about playing games, thats not interesting to me.

People talk about generating my own work, but I don't really know how to go about that. There are certainly some roles in the theater I'd like to play but I don't know if I'll ever get to do it.