My life has been so fortunate. I have had most extraordinary good fortune in my life. I sort of put it into three categories, the three major stepping stones. One being London Hippodrome theater stage debut when I was 12, when it started my career. The second being going to Broadway. And the third going to Hollywood. Each one of those happened under the most extraordinary circumstances.

Hopefully, I brought people a certain joy. That will be a wonderful legacy.

I certainly embrace all the movement that's going on these days about equality for women and equal rights. In general, I would apply that to all nationalities and all races. I think we do need more awareness, generosity, and compassion than we have right now. But in terms of feminism, I embrace it wholeheartedly. Not in a kind of militant way, but I've always known that it matters.

If I'm reading about a river or the trees or the wind blowing or the stars at night, if you can hear that in the music in some way, you've wedded the two and your imagination takes off. To be able to hear that in music is really important.

I'm not singing anymore; that is why I am so pleased to be writing. My daughter said, "You just found a different way of using your voice."

Use your knowledge, and your heart, to stand up for those who can't stand, speak for those who can't speak, be a beacon of light for those whose lives have become dark.

When I read to children, I try to become the characters. It's great if you can make a separate voice for each character. Sometimes you can lower your voice with excitement or get more intimate about it: you can lean forward and engage the children as a narrator or as a reader. It's particularly important that you find the voice that you want to use for each character, because then children can imagine that person as you're reading aloud. And of course, the illustrations help enormously.