Because I come from the theater, I use the images of the theater and of movies a great deal when I write. I see the story in my head. I have to break down the outline of a story first. I have to know where I'm going. Usually I have a good beginning and a good ending, and then I think, "Now I have to find my way through it."

All love shifts and changes. I don't know if you can be wholeheartedly in love all the time.

I do think, where would kids be if it weren't for you and for the good pediatricians, and for the good parents? I passionately believe in sitting a child on your lap and tracing the lines of the book with your finger, and they can read before they know they can, if you bother enough. I did it with my kids, and they're doing it with their kids now.

The anateur works until they get something right. The professional works until they can't go wrong.

If I am able to sing again it will be through some miracle operation. There's a lot of work being done to help singers regain their voices, but in my case I actually lost vocal tissue so it's very hard for my chords to rub together and I need to replace that tissue. I remain optimistic but not tremendously so.

Use your knowledge, and your heart, to stand up for those who can't stand, speak for those who can't speak, be a beacon of light for those whose lives have become dark.

If somebody can act out one of the books as a play, if they can see a play, film, or television show that's related, that can be so stimulating for them. Anything that makes children engage and think - and love what the story is about - can only bring the most enormous rewards.