No one ever asks me about Breeze O'Rourke! I did the pilot for[Payne] right after Jawbreaker, or at least right around the same time, and it was an Americanized version of Fawlty Towers. That was the first time I worked with John Larroquette, and it was definitely not the last time.

Working with Dario [Argento] was a lot of fun. He's a larger-than-life character, and with an Italian accent.

So it's nice to know that Rita had that impact, and it was nice to end a character on a high note like that. But, again, in the moment... I always say, nobody was more devastated than me [from Rita's death in Dexter]!

When I first auditioned for Dexter... Well, I was sent the script, and I read it and loved it, and I knew right away that it was going to be a hit because it's the type of programming that I like to watch. It's that very morally ambiguous thing where you find yourself rooting for someone who's really an awful person, but... is he doing good? You're constantly calling into question your own moral code. I love that as an audience member.

But I never worked with a northern horse before. They are very different from western horses.

I worked so hard on that role [of Debra in Dexter]. And I barely worked on Rita. But I read for casting - both parts - and they said, "That's great, we're going to bring you in for producers." So I read for some producers - both parts - and they said, "That's great, we're going to bring you in to meet the creator." And I went in, and as soon as I walked in the room, he looked at me and he said, "Oh my god, you're our Rita!" And I said, "No! I'm Deb! I'm a total Deb!" "No, you're Rita!".

I remember Gale Gordon was in the pilot [of Hi Honey, I'm Home], and it was one of my very first professional gigs without having an adult take me to the job.