I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."

Working with Dario [Argento] was a lot of fun. He's a larger-than-life character, and with an Italian accent.

You really have to work hard and apply yourself and by applying yourself and working hard and being diligent, you can achieve success.

I'm fortunate that I've been an athlete, my whole life, and I work out like a crazy person.

I love doing action films that do challenge me physically. I feel it's my job to keep my stamina up and be as physically fit as possible, so that I can just jump in and do it. It takes its toll sometimes and it's hard work, but I love that.

No one ever asks me about Breeze O'Rourke! I did the pilot for[Payne] right after Jawbreaker, or at least right around the same time, and it was an Americanized version of Fawlty Towers. That was the first time I worked with John Larroquette, and it was definitely not the last time.

We shot [Hi Honey, I'm Home] on location in Orlando, Florida, so I was there by myself. And I remember I was late one day, and Gale Gordon pulled me aside, and he said, "Honey, when it says you have to be here at 10 a.m., you need to be here at 9:30." And ever since, I've always been a half-hour early to my call time!