The fans are just as passionate about the projects as we are about making them.

[John Larroquette] is one of the smartest men I've ever met. He's very cerebral and book-smart. He would say things and I'd have to go look them up, thinking, "That can't be true!" And they'd be true.

When I first auditioned for Dexter... Well, I was sent the script, and I read it and loved it, and I knew right away that it was going to be a hit because it's the type of programming that I like to watch. It's that very morally ambiguous thing where you find yourself rooting for someone who's really an awful person, but... is he doing good? You're constantly calling into question your own moral code. I love that as an audience member.

It's a moment that I will be asked about for the rest of my life as an actor, and I carry that moment with pride, that Rita [in Dexter] had such an impact and that it was such a gut-wrenching moment for audience members.

No one ever asks me about Breeze O'Rourke! I did the pilot for[Payne] right after Jawbreaker, or at least right around the same time, and it was an Americanized version of Fawlty Towers. That was the first time I worked with John Larroquette, and it was definitely not the last time.

You really have to work hard and apply yourself and by applying yourself and working hard and being diligent, you can achieve success.

It's funny, I get really nervous when I audition for voiceovers.