I think [John Larroquette] did a great job. I really do. And he's so wonderful and generous to work with.

I was sent the script [of Havenhurst ], and I was out of town at the time, so I did a site meeting with Andrew [Erin]. It was so bizarre. I was staying in a hotel at the time, and the night before the meeting with Andrew, I learned there was a ghost in the hotel.

It's really interesting - I wanted to become an actress when I was young because I wanted to do romantic comedy. And I did a lot of comedies very early on, but then my career took kind of a left turn with Joss Whedon, and I discovered that doing genre work is actually more interesting as an actor, because the given circumstances are more extreme. And it really is creatively more challenging.

I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."

The great thing about working on a genre show is that you can basically have a season finale where every character is left destroyed, and then hit the reset button and come back for the next season.

I remember reading an interview that Anthony Hopkins had given about how he developed Hannibal Lecter. He said he just looked in the mirror and, I forget exactly what it was, but he looked in the mirror and realized that when he smiled, it looked creepy.

I got cast in [Punisher: War Zone] and showed up in Montreal two days before the film started, and they said, "We need you to do a New York accent." And I was, like, "What?! Why didn't you tell me this, oh, I don't know, two weeks ago, when you cast me?".