Oh, well, in Los Angeles everybody is an actor, or a producer, or a writer, or a director, or an agent, or... So everybody understands the hours.

When they took me to do the camera test for the vampire make up, after they put the prosthetic on, I went though the entire process, I went back to my trailer and I looked in the mirror and I smiled.

Working with Dario [Argento] was a lot of fun. He's a larger-than-life character, and with an Italian accent.

I remember reading an interview that Anthony Hopkins had given about how he developed Hannibal Lecter. He said he just looked in the mirror and, I forget exactly what it was, but he looked in the mirror and realized that when he smiled, it looked creepy.

The great thing about working on a genre show is that you can basically have a season finale where every character is left destroyed, and then hit the reset button and come back for the next season.

I was sad when the show [Defiance] got canceled. It was heartbreaking for all of us involved. It was definitely a project that everyone involved poured their heart and soul into. But we had three good years, which is, you know, three more years than most shows get.

We shot [Hi Honey, I'm Home] on location in Orlando, Florida, so I was there by myself. And I remember I was late one day, and Gale Gordon pulled me aside, and he said, "Honey, when it says you have to be here at 10 a.m., you need to be here at 9:30." And ever since, I've always been a half-hour early to my call time!