In real life, when you speak with each other you overlap each other, so you can't fake that. Like especially when you have no cut. In a regular film when you want people to overlap you cut it that way. It's mixing and editing.

I want to be positive and say: everything I've written will get made eventually.

I always wanted to write a story about a couple coming to that moment in their relationship where either they keep on going or it ends.

I was having this awful nightmare that I was 32. And then I woke up and I was 23. So relieved. And then I woke up for real, and I was 32.

I would assume that there is a greater amount of joy for you in being able to write and help produce your own stuff and make a decent living, but not get rich versus always doing the other stuff that you don’t write, and make more money.

Very quickly I realized that directing is a combination of things: It's visual, it's directing the actors, it's telling a story. And people don't always mention this part of directing, but it's also knowing how to really edit something into something that makes sense.

Performing is the hardest thing. Even though I've done it for so many years, it's still exposing yourself. You suddenly become extremely vulnerable when you're on camera. You're filmed and you're being observed. It's a bit of a violation each time.