Basically, editing is done in rehearsal and in the writing process and in the acting, so it's very, very tricky, very, very tricky.

I think it's nice when everyone's happy. I'm that kind of person. But then sometimes you have people that are never happy, which also happened to me a little bit, people that always find ways to complain about everything. But if they're never happy, that's the way they are.

I was six years old when I saw my first Godard movie, eight when I first experienced Bergman. I wanted to be a director when I was fourteen.

The way I work is that I never let people do an assembly. I don't like it because it shapes the film in a way that I can't really control. To me, editing is making the film and it's a huge process and editors are under-rated.

I'm a very direct person and, sometimes, when I want something, I will push it until I get it. But, it's OK. It's not as bad as some people. When I have an idea in my head, I'm pretty stubborn.

My therapist in Paris once told me that being creative is a better form of therapy for me than sitting on his couch.

I love acting and I still want to do it, but I've such an instinct for directing, it's something that comes naturally to me. It's why I'm here on this planet.