Basically, editing is done in rehearsal and in the writing process and in the acting, so it's very, very tricky, very, very tricky.

Some people have bigger egos than others. You have to take a lot of abuse, and take it in and not respond, because you don't want conflicts on the movie, you don't want to start screaming at people even when they treat you - even when they're not behaving properly, because you want them to do their job, and keep on doing it.

I don't like to be overly directing people either. I tell them what I want and I tell them when it's wrong. I tell them no, that's not what I want. I want it more like this or more like that. I'm pretty direct with everyone, and I treat everyone the same which might be good.

I find most films about fashion terrible because they are caricaturish.

I've never had help from anyone, ever. I've never had this great director who saw themselves in me, because I'm a French woman in Hollywood. Who could identify with me as a successful director in Hollywood? Nobody. And the few people who could have been mentors, instead they just stole my ideas.

The way I work is that I never let people do an assembly. I don't like it because it shapes the film in a way that I can't really control. To me, editing is making the film and it's a huge process and editors are under-rated.

Few years ago, I said something about the Academy being very white male, which is the reality, and I was slashed to pieces by the media.