Do not think your story [for a one-person show] is unique. . . . your story is the same as millions of others. But that's o.k. - you just need to find the one or two things that makes your story interesting enough to justify someone leaving their apartment and exchanging currency.

A lot of times if you want to get another agent, agents actually make you do monologues in their offices. They still do that! You've got to come up with something!

I think actors really like to know what does a casting agent really think or what does a composer really think.

The theater's been very good to me and I became Julie Halston through the theater.

I love Paris. I've been there a number of times.

Do not think your story [for a one-person show] is unique. . . . your story is the same as millions of others. But that's o.k. - you just need to find the one or two things that makes your story interesting enough to justify someone leaving their apartment and exchanging currency.

Nowadays, you really have to make an impression quick and I think this does give people a chance to show off what they've got. It's very difficult these days. You really have to stand out quickly. I think it's also so diverse that there's enough material for everybody.