I am asked to submit a 2-3 page synopsis to my publisher ahead of time, so by the time I begin writing, I have a fair idea of where the story will begin, the main conflicts, and the basic ending point. But that still leaves plenty of room for changes and discovery along the way.

I believe a novel must first of all be a good story. My hope is that the spiritual message is woven in so well, is such a part of the fabric of the story and of the characters' lives, that it is subtle but meaningful. This is difficult to do well and is something I constantly endeavor to improve.

I am asked to submit a 2-3 page synopsis to my publisher ahead of time, so by the time I begin writing, I have a fair idea of where the story will begin, the main conflicts, and the basic ending point. But that still leaves plenty of room for changes and discovery along the way.

While researching my first book, I discovered so many fascinating tidbits that I wanted to share them with readers to remind them that while the book was fiction, the situations were based on historical realities - some of which were pretty hard to believe.

For my second novel, The Apothecary's Daughter, my editor encouraged me to think of another unusual profession for a woman to have. That led to the main character, Lilly Haswell, who finds herself doing the work of an apothecary at a time when it was illegal for women to do so.

I found myself wondering, what would it be like to have a strange woman living in your home, nursing your child? My resulting research into the private lives of women in the 18th and 19th centuries inspired me and provided the backbone for [Lady of Milkweed Manor] novel.

But I don't think any parent can expect to escape this life without disappointing his child at some point. And the same could be said the other way around. We all of us fall short now and again, and disappoint someone dear to us, or ourselves. Thankfully, my parents have always been the forgiving sort.