What I adore is the juxtaposition of high tech and low tech. It's sort of like I love the sacred and the profane. I love to put these extremes in the same hopper.

I'm a firm believer in the idea that theater excels over film and TV in its ability to let people play with poetry.

It's people who are repressed and cannot express their fears that are dangerous.

We have often been attracted to the story of the other, the outcast. And he and I just loved working together, so it just kept happening, and our relationship is completely bound up with our work. We enjoy each other's art.

When I'm sculpting, I work with wood and clay, and though some say that an image is already in the material and the sculptor just has to discover it, I also believe you have an image in your head that you're trying to get to. So you're in a dialogue with the piece, a back-and-forth.

My God, it transformed me. My life changed.

Some people become dullards, but as children we are all creative. It's in the programming, the socialization, that we lose our sense of play.