There was so much of beauty here: the neat, small tracks of a foraging creature, stoat or marten; the inticate tracery of a skeleton leaf, still clinging vainly to its parent tree as, little by little, time stripped it of its substance, leaving only the delicate remembrance of what it had been.

What I do . . . the path I tread . . . it brings some choices that test me hard.

Breath of the winds; dancing flame; peace of the earth; song of the waves.

For indeed you have a choice. You can flee and hide, and wait to be found. You can live out your days in terror, without meaning. Or you can take the harder choice, and you can save them.

Liadan," he said, staring intently at the ground. "Yes," I whispered. "Don't wed that man Eamonn. Tell him, if he takes you, he's a dead." --Bran

I do not view suicide as wicked, just terribly sad. There is only one death, but it is like a stone cast into a pond - the ripples stretch far. Such an act must leave a burden of sorrow, guilt, shame and confusion on an entire family. A natural death, such as my father suffered, is hard enough to deal with. A decision to end one's life must be still more devastating for those left behind. I cannot imagine the degree of hopelessness someone must feel to contemplate such an act.

My advice to aspiring writers of fantasy trilogies or series is that each book needs two main plots. There's the 'big story', the over-arching grand plot of the entire series, and there is the complete-in-itself, one-book plot.