Being a famous actress may give you a sense of being important, but believe me, it's just an illusion.

I am not a great French woman. George Sand, Marguerite Duras and Simone de Beauvoir are great French women.

But, you know, when I choose a film I need to believe in it and believe I can do something special with it, and after a while that means not trying to judge or analyze why I should do it. You have to follow this intuition thing, which is a mystery to me.

A director could be 20 years old and an actor 60, or vice versa; it doesn't matter. It's about connecting sensibility and energy together, and having a vision that goes together and anchors the film as you go along.

I believe such illumination comes if you're open to the surprises the universe throws at you. You must be able to let go of the past, whatever success you may have seen, whatever your comfort, whatever your habits. To me, that's the key to loving life: Enabling yourself to step bravely into the unknown. Only there will you find yourself again.

I never really worked in Hollywood. Some American producers came to Europe to shoot films with me, so it's a different situation... It was not my aim.

Maybe it's because my mother divorced and my grandmother divorced, so maybe I'm frightened deep down. But then I also feel there is no real need. Why do I need to get married? To reassure me? No I don't need reassurance.