When I do a film, usually I work from my director. That's my boss. The director is interpreting the writer's vision, and we all interpret it, and they create their own vision as well.

My main objective was finding my individuality as a vocalist.

The old footage of my dad, I always knew we were cut from the same cloth, because my dad was such a renegade and always marched to the beat of his own drum. To see where we were both dancing and being silly together, it's too beautiful for words. I was really happy to have that.

My focus, my life, my world is now. You just can't plan the future.

My dad kept me away from people who treat children wrong. It's just amazing that there is such a way to raise a person without giving them complexes. But nobody does it. They think it should be the old school. But look at the products. Wouldn't it be great if you could avoid the complexes? Then you could deal with the complexes of life.

I made a joke with my sister... I said, "I don't know what's more nerve-wracking, job insecurity or job security." There's opportunities and things you compromise with both. When I had endless freedom of schedule, or when I commit to a movie for two months, then I could manage my music and go on the road.

What I get in rock 'n' roll that I don't get in movies is that connection with people. With music it's instantaneous, and just to watch people light up, it's really amazing. I love that connection.