I think early on I avoided singing because it was so personal and I didn't know how to sit in that intimacy. I wrote songs when I was little and I wrote a journal, but I don't think I knew how to let that truth come out yet.

Understanding human nature. Perception. That's how I see acting - perception and communication.

My main objective was finding my individuality as a vocalist.

I can write a song in the back of the bus, where I am right now, or in my living room, and I can perform it that night and have an instant reciprocal exchange - an emotional, impactful exchange - and it's a less technical medium. It's a pure expression from my soul to other souls.

All that evilness is always just from pain and fear, and that's what I've come to understand. I've come to understand people now. Before, I would blame them for treating me in such a naïve way. I don't hate evil, vicious people anymore.

I kind of imagine myself at eighty, a cat lady.

What's exciting to me is the live show medium itself; it's the last untouchable medium. I don't think it will ever go away. It has gone on from the beginning of time with little performances around a campfire, I'd imagine, like cavemen doing some chants, rhythm, and sounds, beating on things.