Before going back to sleep I imagined (I saw) a plastic universe, changeable, full of wondrous chance, an elastic sky, a sun that suddenly is missing or remains fixed or changes its shape.

There was a time when I thought a great deal about the axolotls. I went to see them at the aquarium at the Jardin des Plantes and stayed for hours watching them, observing their immobility; their faint movements. Now I am an axolotl.

Wordplay hides a key to reality that the dictionary tries in vain to lock inside every free word.

You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.

The fantastic breaks the crust of appearance … something grabs us by the shoulders to throw us outside ourselves. I have always known that the big surprises await us where we have learned to be surprised by nothing, that is, where we are not shocked by ruptures in the order.

Only by living absurdly is it possible to break out of this infinite absurdity.

As if you could pick in love, as if it were not a lightning bolt that splits your bones and leaves you staked out in the middle of the courtyard. (...) You don't pick out the rain that soaks you to the skin when you come out of a concert.