Anyone who knows my professional history has known I've gone through a gazillion managers and agents or whatever. I'm like, "This doesn't feel right - moving on." I don't really suffer fools, which makes it easier for me.

[The Women's Room by Marilyn French] was in my house somewhere, blew my mind, I was changed forever. And then I continued to read it at various points in my life, and it sort of opens up in a different way.

[The Women's Room] is very much a white woman's piece of fiction, for sure. But for me, as a white woman, I related to a lot of it and continue to as I've gotten older, and especially at this moment in time, I want to read it again.

It's very hard, I think especially for women, to not take it in and to not be super conscious of the way that you're being seen, which is of course completely antithetical to the work you want to do, which is completely free and bold and truthful and honest and brave.

I'm on Grace And Frankie, which is also about that time in life, I'm realizing. But I would - so I guess I am sort of in that show. But there's something about The Golden Girls and the sort of multicam set and Bea Arthur that I just want to be around those ladies all day long, and I want to be on those comfy couches and want to sit in that kitchen in those chairs in those pastels, and I want to wear Blanche's outfits and it's just really... and I want to sit outside in that weird little courtyard.

If someone tells me, "I just wash my face with soap," we have that discussion. And a lot of men, too. Thank god Paul Scheer knows to moisturize.

I'll keep this as nonpartisan and diplomatic as possible - but for those of us whose heads are kind of spinning off and are really engaged in what's happening right now and trying to effect change where we can, when we can, I think we also need to express ourselves and express our anger and also find joy in things like The Golden Girls right now.