[The Women's Room] is very much a white woman's piece of fiction, for sure. But for me, as a white woman, I related to a lot of it and continue to as I've gotten older, and especially at this moment in time, I want to read it again.
June Diane RaphaelI know that it feels dangerous and scary and working without a net, so to speak. And working without a net, for me - maybe other women do it a totally different way - means being vanity-free. That's how, as an artist, I know that I need to work.
June Diane RaphaelI think my real fear is that I will get to old age and think I spent too much time concerned about the way that I look and other bullshit. That's really a fear of mine.
June Diane RaphaelI remember watching that show [Golden Girls] with my parents and not totally understanding it. Like, a lot of comedy flew over my head, a lot of the sexual stuff I didn't know. But because there was a laugh track, I'd laugh really hard, and I'm now remembering the look on my parents' faces - I had no idea why it was funny. I was sort of, like, laughing along.
June Diane RaphaelAnyone who knows my professional history has known I've gone through a gazillion managers and agents or whatever. I'm like, "This doesn't feel right - moving on." I don't really suffer fools, which makes it easier for me.
June Diane RaphaelUnfortunately, this past birthday, my son was up the entire night before, very sick with that horrible - I think it was called the Norovirus or whatever the hell that was that was going around. So I got it. And then my husband [Paul Scheer] got it. We were both fighting it because he had planned this whole day for me, and we were both pretending it wasn't happening. We were literally driving ourselves to a massage and facial that he had planned and at one point, I was like, "I can't drive anymore. I need to get in the passenger's seat."
June Diane Raphael