You don't have to spend eight years of your life trying to get something done. You can get your answers very quickly, and there's something satisfying about that.

I really do. I don't see it as a kind of elite experience - it's our biggest organ. We need to see a dermatologist and have them really look at our skin and figure out what's going on.

I like the way [Marcus Lemonis] thinks. He's made me think about things in a different way. He's made me want to support small businesses in a very real way, seeing what these small-business owners go through and the struggle it is and the courage it takes to put your heart and money behind things at a 24-hour job. I think I relate to that as an actress and a writer and someone who works freelance, in many ways. It never ends, you never clock out. You've always got to keep things moving.

I know that it feels dangerous and scary and working without a net, so to speak. And working without a net, for me - maybe other women do it a totally different way - means being vanity-free. That's how, as an artist, I know that I need to work.

Unfortunately, this past birthday, my son was up the entire night before, very sick with that horrible - I think it was called the Norovirus or whatever the hell that was that was going around. So I got it. And then my husband [Paul Scheer] got it. We were both fighting it because he had planned this whole day for me, and we were both pretending it wasn't happening. We were literally driving ourselves to a massage and facial that he had planned and at one point, I was like, "I can't drive anymore. I need to get in the passenger's seat."

I'm certainly much happier when I feel that the work is good.

I love The Golden Girls. I've watched recently, and it's sort of insane there's a chef that they're always referring to as "fancy" - the pilot's kind of a mess.