The music of language became extremely important to me, and obvious to me. By the time I was seven I was writing myself. I was a poet

All of Western tradition, from the late bloom of the British Empire right through the early doom of Vietnam, dictates that you do something spectacular and irreversible whenever you find yourself in or whenever you impose yourself upon a wholly unfamiliar situation belonging to somebody else. Frequently it's your soul or your honor or your manhood, or democracy itself, at stake.

Body and soul, Black America reveals the extreme questions of contemporary life, questions of freedom and identity: How can I be who I am?

In America, the traditional routes to black identity have hardly been normal. Suicide (disappearance by imitation, or willed extinction), violence (hysterical religiosity, crime, armed revolt), and exemplary moral courage; none of these is normal.

I am a feminist, and what that means to me is much the same as the meaning of the fact that I am Black: it means that I must undertake to love myself and to respect myself as though my very life depends upon self-love and self-respect.

As I think about anyone or anything -- whether history or literature or my father or political organizations or a poem or a film -- as I seek to evaluate the potentiality, the life-supportive commitment and possibilities of anyone or any thing, the decisive question is always where is the love?

If any of us hopes to survive, she must meet the extremity of the American female condition with immediate and political response. The thoroughly destructive and indefensible subjugation of the majority of Americans cannot continue except at the peril of the entire body politic.