As I think about anyone or anything -- whether history or literature or my father or political organizations or a poem or a film -- as I seek to evaluate the potentiality, the life-supportive commitment and possibilities of anyone or any thing, the decisive question is always where is the love?

I wrote those poems for myself, as a way of being a soldier here in this country. I didn't know the poems would travel. I didn't go to Lebanon until two years ago, but people told me that many Arabs had memorized these poems and translated them into Arabic.

Revolution always unfolds inside an atmosphere of rising expectations.

There is a man who exists as one of the most popular objects of leadership, legislation, and quasi-literature in the history of all men. . . . This man, that object of attention, attack, and vast activity, cannot make himself be heard, let alone understood. He has never been listened to. . . . That man is Black and alive in white America where the media of communication do not allow the delivery of his own voice, his own desires, his own rage.

Our earth is round, and, among other things, that means that you and I can hold completely different points of view and both be right. The difference of our positions will show stars in your window I cannot even imagine. Your sky may burn with light, while mine, at the same moment, spreads beautiful to darkness. Still we must choose how we separately corner the circling universe of our experience. Once chosen, our cornering will determine the message of any star and darkness we encounter.

Freedom is indivisible, and either we are working for freedom or you are working for the sake of your self-interests and I am working for mine.

That attitude that fighting is probably not fair, but you have to defend yourself anyway and damage the enemy, has been profoundly consequential as far as my political activism goes.