I like to leave the movie theater and still be thinking about the film and questioning why the character did that.

If people want to criticize a performance, that I understand. I think that's important. What's going on with this industry now is crazy. That obsession with celebrity is madness. I try as hard as I can not to read that stuff. Because most of the time it's a bit... factual. And it's frustrating because it's not about what you're setting out to do as an actor.

For me, there is safety in playing a woman that is very sexualized and having a woman direct you with that.

There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.

But, I think it's great to be able to work with established directors, and then also first-timers. I feel like you learn from both of them, but then you can go and share your knowledge with each of them. That's really fantastic!

That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.

When you're first in love with somebody, and it's not true love, it's borderline obsession, it's kind of like an addiction. You switch into this weird, weird part of your mind when you just can't live without that person. And you want to envelop them. You want them flowing through your veins.