I like to leave the movie theater and still be thinking about the film and questioning why the character did that.

I'm not someone who doesn't want to see the films, but I like to see them as an end product when the whole nuance of the character is put together.

It's all about the director for me; we have to click. It's a trust thing. I'll say I'm ready to let down my walls. I'll cry for you as long as you need. But you're going to have to hug me afterwards.

My dad, Julien Temple, is unbelievable, so supportive. He's helped me to make such important decisions and he's so proud. I really admire him... I think he's one of the most talented people in this industry, so to have him be proud of what I'm doing is incredible.

I'm so excited to see 'Horns' because it's so many different genres in one film. It's a sci-fi, it's a love story, it's a horror movie, it's a fairy tale.

If people want to criticize a performance, that I understand. I think that's important. What's going on with this industry now is crazy. That obsession with celebrity is madness. I try as hard as I can not to read that stuff. Because most of the time it's a bit... factual. And it's frustrating because it's not about what you're setting out to do as an actor.

I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.